Looking back on this American masterpiece from a 2010 vantage point, we can now see this was a film released on the brink of major change, and that it managed to embody that change while remaining resolutely timeless and true to its maker’s spirit. Who’d have thought that not even ten years later, rewatching Lynch’s magnum opus—which, though tinged with its maker’s usual retro chic, was upon its release so very now—would make us nostalgic for film itself, for glossy, movie-movie celluloid, however mangled and nightmarish it becomes in its director’s hands.
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