A man and a woman passing each other on a dark stairwell; the same man and woman trapped in a bedroom together, chastely waiting for a marathon canasta game to expire so they can separate without provoking unearned suspicion; the same man and woman walking down a cobblestone street pretending to be another man and woman, pretending to be in love, pretending not to be in love. These are some of the more vivid memories of Wong Kar-wai’s In the Mood for Love I’ve carried around since first viewing it almost nine years ago. It has remained one of the most shattering moviegoing experiences of my life. In my recollection, and that of many others, the film is the consummate tale of unconsummated love.
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Best of the Decade #3: In the Mood for Love
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